新年快乐 恭喜发财 新年如意
In this week’s m a n i f e s t o responses, we have some poignant political commentary from amongst others Lord Howarth and Mike White. Next week will see the last of these short films of reflective responses, and include comments form the President of the Society for the Arts in Healthcare. After this I will begin to draw together the salient themes for our second manifesto installment, which will be published in hard copy as an advocacy ‘tool’. Thank you for your inspiration. C.P
Music by Kronos Quartet, playing Bella by Barlight by John Lurie
MANUWANGKU - UNDER THE NUCLEAR CLOUD
As debate continues to rage (albeit quietly) about the risks of nuclear power, in light of Fukushima and Chernobyl, and in my own part of the world discussions to extend the Lake District National Park’s role as a global nuclear rubbish tip look even more likely, let’s look to a community whose voice has been routinely suppressed over the last 200 years. Yet another reminder, that if we are thinking about this arts/health agenda, we need to be more expansive.
Muckaty is situated on Warlmanpa country, 120 km north of Tennant Creek in the Northern Territory of Australia. Traditional Owners call the area “Manuwangku”. Nomination of their traditional land as a domestic nuclear waste dump site in 2007, coupled with proposals for Australia to “lease” uranium and take back radioactive waste from overseas nuclear power operations, have generated justifiable fear and concern amongst the Aboriginal communities in and around Muckaty (Manuwangku).
The exhibition, “Manuwangku, Under the nuclear cloud” is focused on this community under threat. Photographs by Jagath Dheerasekara, Curated by Sandy Edwards are online @ http://jd.photoshelter.com/index and (if you happen to be one of our Australian followers) on show at Pine Street Creative Arts Centre, 64 Pine Street, Chippendale, Sydney until 28th January
Clore Leadership Programme
Applications for 2012/13 Fellowships are now open and close 24 February 2012.
Since 2004, the Clore Leadership Programme has awarded over 200 Fellowships to outstanding individuals from across the cultural sector. Fellows come from diverse backgrounds, they may be working freelance or within organisations, both large and small, in areas ranging from archives to theatre production, and including visual and performing arts, film and digital media, heritage, creative industries, museums, libraries and cultural policy.
In Our Times call out
Calling artists & others incensed by poverty & inequality. We need you to help us use art to expose the truth and galvanise action. Find out how to get involved in In Our Times. We’d love to hear your thoughts. How do you think art can best speak to people? How can it best incite action?http://collective-encounters.org.uk/2012/01/in-our-times-call-out/
Because We’re Worth It: National Summit on Participatory Arts
22nd March 2012 (10am – 4pm: registration begins at 9.30am)
Cost: £15 per person (to cover minimum costs)
Venue: The Institute of Contemporary Arts, The Mall, London, SW1Y 5AH
Because we’re worth it! is an important national Summit exploring and celebrating the value of participatory arts. Participatory arts have the power to change people’s lives for the better; provide connections, experiences and rich stories. The UK’s participatory arts scene is constantly changing, innovating, developing, celebrating, exploring and recording fantastic and ground breaking work.
To book: www.eventelephant.com/becausewereworthit. For more information: 01254 674 777 or email email@example.com
Kick up the fire, and let the flames break loose
To drive the shadows back;
Prolong the talk on this or that excuse,
Till the night comes to rest
While some high bell is beating two o’clock.
Yet when the guest
Has stepped into the windy street, and gone,
Who can confront
The instantaneous grief of being alone?
Or watch the sad increase
Across the mind of this prolific plant,
from The North Ship, 1945