Monday, February 11, 2013

Experts on the evolution of human nutrition

Want to eat a diet that mimics that of our Paleolithic ancestors? It might be a little more complicated than what the popular books say.

The fact is, there was never one Paleo Diet; it's more likely there were hundreds of them and that they were continually changing and broadening over evolutionary time.

That was the overarching message of an impressive lineup of experts on ancient human diets at a symposium entitled "The Evolution of Human Nutrition" organized by the Center of Academic Research and Training in Anthropogeny (CARTA) at UC San Diego on December 7, 2012.

Now, I'm happy to report, the videos of a few of the talks have been made available (embedded in this post below). You can also read what other folks on Twitter had to say about the event using the #CARTAsymp hashtag in my Storify story.

President of the Wenner-Gren Foundation for Anthropological Research Leslie Aiello, who chaired the symposium, expressed some amusement over folks who aspire to the great lengths of trying to live like cavemen in the big city.

However flawed their premise, she noted, the gaining interest into the diet of our ancestors was one to be welcomed. After all, it could lend clues into current causes of epidemics of obesity, type-2 diabetes, and cardiovascular disease.

What we still don't know

Aiello gave a refreshing perspective on the history and complexity of studying ancient human diets. Back in 1995, she and Peter Wheeler were the first to propose the "expensive tissue hypothesis" -- one that proposed that we gained our energy-hungry brains by sacrificing our large guts.

Yet as early 2011, Aiello explains, even the well-founded theory she and Wheeler had proposed was challenged. Ana Navarrete, Carel P. van Schaik, and Karin Isler of the University of Zurich found no evidence of a brain-gut tradeoff among any other mammals.

Navarrete and her colleagues now have a competing theory: that larger brains came as a result of our abilities to store body fat. Among mammals, they suggest, those with larger brains acquire them by sacrificing adipose tissue for energy storage. But humans "buck the trend," Aiello said.

But there are so many other variables that could have also played important roles -- perhaps even billions of them.

The relationships that hominins had with microbes at the time might have contributed to adaptations, according to biological anthropologist Steven Leigh of University of Illinois, Urbana-Champaign. Microbes in the intestine continue to contribute for up to 7 percent of our daily energy supply in form of short-chain fatty acids and they also supply valuable B vitamins and hormones.

Leigh's preliminary findings are that microbial communities can change drastically depending on where primates live. Rainforest monkeys, for example, harbor more species of microbes in comparison to those living in semi-deciduous forests or in captivity. Changes affecting early humans may have factored into adaptations over evolutionary time.

What we may know  

Current hunter-gatherers offer a "window" into how early humans lived and ate, according to Alyssa Crittendon. But the nutritional anthropologist and behavioral ecologist of University of Nevada, Las Vegas, adds, "Hunter-gatherers are not living fossils. They are contemporary modern populations just like you and I."

Based on her research analyzing energy values of foods eaten by the Hadza of Tanzania, Crittendon said hunter-gather diets can vary widely depending on plants and animals of the season. During the dry season, for example, Hadza get most of their energy from meat. In the wet season, the energy contribution shifts dramatically to plant foods, especially berries.

Honey is Hadza's most preferred food being made up of 80 to 95 percent sugar and they have learned to obtain it more regularly through unusual means. A bird aptly named the greater honeyguide has learned to lead Hadza men to beehives in exchange for a share of the honeycomb. It is an extraordinary partnership of food sharing.

A look into the past is also provided through the diets of other primates such as chimpanzees, according to Peter Ungar of University of Arkansas. For example, judging from the jaw structure of chimpanzees one can find similarities with that of Ardipithecus ramidus.

This direct ancestor was likely to have eaten fruit, soft leaves, and soft legumes as chimpanzees are fond of doing today (depending on their region).

But the best evidence available on ancient human diets is from fossil teeth, Ungar adds. Clues from tooth size, shape, and structure can be combined with dental microwear and enamel chemistry.

Summarizing evidence from teeth "food prints," Ungar shares:

  • Australopithecus likely ate mostly soft or tough foods like fruits, and leaves in a mixed setting 4 to 2 million years ago, but could handle a fairly broad diet. Around 2.5 may, there was a fork in the evolutionary road.
  • Our Paranthropus cousins had more specialized teeth and likely had different diets in different places. Some ate tough savanna foods like grasses and sedges; others had harder items such as nuts and seeds in a mixed setting. 
  • Our early Homo ancestors had less specialized teeth and likely had a broader or more variable diet including both savanna and forest resources, along with some meat. 

Alison Brooks of George Washington University adds that Neandertal teeth, as well as their large caloric needs, indicate that they too must have eaten plant foods.

The microfossil evidence reveals starchy grains that also suggest Neandertals cooked and boiled their food. Now it's up to archaeologists to find pots, Brooks said.

That Neandertals ate plants is despite what the nitrogen isotope data show, anthropologist and research archaeologist Margaret Schoeninger of UCSD said.

It's necessary to rethink the nitrogen isotope data, Schoeninger said, because all humans -- whether subsisting on plants or animals -- and some plant themselves return a signal as a "top predator."

Cooking may also play in as a factor, she suggested.

What we know were crucial for modernity and leaving Africa: Cooking, food sharing, division of labor

Understanding that the introduction of fire was a major precursor to modern humans has long been argued by Primatologist Richard Wrangham of Harvard to be an essential part of better studying early human diets.

He presented new data showing that cooked carbohydrates and proteins also contribute more calories than when raw. The data support that cooking could have helped lead to expansion of large brains while at the same time reducing gut size.

Clues into what early humans ate in a setting can also be gathered through study of decisions that might our ancestors may have made based on "return on investment" scenarios, anthropologist Mary Stiner of University of Arizona said.

For example, hunting a large or small animal each can take a lot of effort, yet the larger one yields a higher return and is preferable. Comparatively, some plant foods represent greater or lower effort with higher or lower yields compared to others depending on investment into obtaining them, processing them, and/or cooking them.

It would make sense, she reasons, that cooking, food sharing and division of labor were crucial for humans to insulate infants and children (which need a great deal more attention, compared to those of other primates) from variations in food supply.

The likelihood is that each of these human characteristics -- cooking, food sharing, and division of labor -- were apparent at the time of our direct ancestor Homo erectus around 1.89 million and 143,000 years ago.

Homo had evolved to be "eating machines," Schoeninger said in an earlier discussion on the topic at Eleanor Roosevelt College (video embedded below).

Schoeninger noted that it was H. erectus that first left Africa and needed fire to stay warm. On their journey, Schoeninger suggests, it was likely that they subsisted on animal foods during the winter and on seed heads from grasses (cereal grains) as familiar food when traveling into Asia and Europe (because of unfamiliarity with fruits and vegetables of other regions).

Agriculture and population health decline

By 15 to 10,000 years ago, modern humans had taken over the landscape and were already shifting from foraging to farming, which represented a major transition in the human diet, Schoeninger said.

The shift was was one from a varied, broad diet that changed with seasons to be replaced with one that included specific plant foods such as cereal grains as a dietary staple, according to anthropologist Clark Spencer Larsen.

This reliance on single foods such as grains as staples with characteristically low nutritional quality, along with more availability of food and more sedentary lifestyle, he said, was the start of health decline as evidenced by study of bones and teeth of the era.

Barry Bogin, a biological anthropologist of Loughborough University, UK, has witnessed this sort of population health decline first-hand while studying the Maya who in recent years have made the switch from their traditional varied diets to ones that are more modern and containing a great deal more animal products, cereal grains, and added sugars.

Unfortunately, Maya children will ultimately suffer the most from the dietary transition with higher risk of obesity and chronic diseases such as type 2 diabetes.

Judging from the history, isn't it understandable that folks would be compelled to change their diets (and propose that others change theirs) to one that is relatively more similar to that of our hunter-gatherer ancestors?

But when asked about dietary advice (including what food groups to be consumed and to not be consumed) that can be gathered from an extensive knowledge of evolution of the human diet, Ungar simply shrugs and responds, "I tell people to go see a nutritionist."

Videos from CARTA

Steven Leigh, Peter Ungar, Alison Brooks, and Margaret Schoeninger:


Mary Stiner, Alyssa Crittenden, and Steven Leigh:


"Eating Machines" - Margaret Schoeninger from Feb 20, 2012 at Eleanor Roosevelt College:



The War of the End of the World: The health puzzle posed by its survivors

The War of Canudos took place in Brazil in 1896 and 1897. Canudos was a settlement of several thousand deeply religious Christians, led by a man known as Antonio Conselheiro. They opposed the recent establishment of the Republic of Brazil, particularly the institution of income taxes and civil marriage; the former was considered government-sponsored theft and the latter a sacrilege. The republic had been declared in 1889 following a military coup that deposed Dom Pedro II, an emperor beloved by the common people and under whose rule slavery had recently been abolished.

Canudos was located in the Brazilian sertão, an inhospitable semi-arid region in the northeastern part of the country. The inhabitants of Canudos were the sertanejos. The term jagunço was used to refer to the males, especially the outlaws. Many of the sertanejos lived in semi-starvation, in poor sanitary conditions, and with very limited (if any) access to healthcare. Infant mortality was very high at the time. Those who reached adulthood were typically of small stature, and very thin; not lean, thin – often described as “skin and bones”.

Below is what a typical young jagunço would look like at the time of the War of Canudos. (Some authors differentiate between jagunços and cangaceiros based on small differences in cultural and dress traditions; e.g., the hat in the photo is typical of cangaceiros.) The jagunços tended to be the best fed among the sertanejos. They were also known as cold-blooded killers. The photo is a cropped version of the original one; the grizzly original is at the top of a recent blog post by Juan Pablo Dabove (). The blog post discusses Vargas Llosa’s historical fiction book based on the War of Canudos, the masterpiece titled “The War of the End of the World” ().



Jorge Mario Pedro Vargas Llosa, a Peruvian-Spanish writer and politician, was the recipient of the 2010 Nobel Prize in Literature; “The War of the End of the World” is considered one of his greatest literary achievements. Euclides da Cunha wrote the most famous non-fictional account on the War of Canudos, another masterpiece that has been called “Brazil’s greatest book”, titled “Rebellion in the Backlands” (). The Portughese title is “Os Sertões”. Vargas Llosa’s book is based on da Cunha’s.

Sergio Rezende’s movie, “Guerra de Canudos” (), is a superb dramatization of the War of Canudos. I watched this movie after reading Vargas Llosa’s and da Cunha’s books, and was struck by two things: (a) the outstanding performances, especially by José Wilker, Cláudia Abreu, Marieta Severo, and Paulo Betti; and (b) the striking resemblance of the latter (Betti) to Royce Gracie (), a very nice man whom I interviewed () for my book on compensatory adaptation (), and who is no stranger to Ultimate Fighting Championship and mixed martial arts fans ().

In a nutshell, the War of Canudos went more or less like this. There were four military campaigns against the settlement. The third was a major one, led by one of Brazil’s most accomplished military leaders at the time, Colonel Antônio Moreira César. The jagunços, resorting to guerrilla warfare, fought off the government troops in the first three. The fourth, led by General Arthur Oscar de Andrade Guimarães, saw the jagunços defeated in a war of attrition primarily due to lack of access to food and water, after heavy losses among government troops. At the end, nearly all of the surviving jagunços were executed, by knife – to their absolute horror, and the perverse pleasure of the executioners bent on revenge, as the victims believed that they would not go to heaven if their lives were ended by knife, even against their will.

Ned, what is your point regarding health!?

After going through numerous sources, paper-based and online, academic and non-academic, I am convinced that a significant number of the survivors of the Canudos War lived to their 90s and beyond. This conclusion is based chiefly on comparisons of various dates, especially of interviews with survivors. No single source dedicated to this particular health-related aspect of the War of Canudos seems to exist. There is a video clip that shows some of the survivors (), speaking in Portuguese, with their ages shown in subtitles (“years”, in Portuguese, is “anos”). One of them, a man, is listed as being a supercentenarian.

In modern USA those who live to the age of 90 and beyond are outliers. Less than 2 percent of the population reach the age of 90 (). Most of them are women. My impression is that among the survivors of the War of Canudos, the 90+ percentage was at least 5 times higher; even with access to sanitation and healthcare in modern USA being much better at any age.

If my impression is correct, how can it be explained?

I think that some of the readers of this blog will be tempted to explain the high longevity based on calorie restriction. But the empirical evidence suggests that poor nutrition, in terms of micronutrients and macronutrients, is associated with increased mortality, not the other way around (, , ). Mortality due to poor nutrition is frequently from infectious diseases, in the young and the old. Degenerative diseases are widespread among the overnourished, not the well nourished, and kill mostly at later ages. It is not uncommon for infectious diseases to “mask” as degenerative diseases – e.g., viral diabetes ().

Often people point at hunter-gatherer populations and argue that they are healthy because of their low calorie intake. But mortality from infectious diseases among hunter-gatherers is very high, particularly in children. Others point to the absence of industrial foods engineered for overconsumption, which I think is definitely a factor in terms of degenerative diseases. Some say that a main factor is retention of lean body mass as one ages, referring mostly to muscle tissue, a hypothesis to which the case of the sertanejos poses a problem – what lean body mass!? And, on top of all of their problems, the sertanejos regularly faced long droughts, which may be why they typically had a “dry” look.

Yet others point to low stress. It is reasonable to think that stress is a mediating factor in the development of many modern diseases. Still, the sertanejos living in Canudos have had to endure quite a lot of stress, before and after the War of Canudos. In fact, the depictions of their lives at around the time of the War of Canudos suggest very stressful, miserable lives, prior to the conflict; which in part explains the early success of a religious settlement where life was marginally better.

By the way, the traditional Okinawans have also endured plenty of stress (), and they have had the highest longevity rates in recorded history. Food scarcity has frequently been combined with stress in their case, as with many other long-living groups. Causality is complex here, probably changing direction in different subsets of the data, but I have long suspected that the combination of stress and overnourishment is a particular unnatural one, to which humans are badly maladapted.

A main factor is almost always forgotten: the effective immune systems of those who have been subjected to starvation, poor sanitation, lack of healthcare, and other challenges – especially in childhood – and survived to adulthood. And here some counterintuitive things can happen. For example, someone may be very sickly early in life and barely survive childhood, and then become very resistant to infectious diseases later, thus appearing to be very healthy, to the surprise of relatives and friends who remember “that sickly child”. Immunocompetence is something that the body builds up in response to exposure.

As they say in northeastern Brazil, in characteristic drawl: “Ol’ sihtaneju ain’t die easy”.

Sunday, February 10, 2013

新 年 快 樂

I wish a happy and peaceful year to anyone celebrating Chinese New Year and welcome in Year of the Snake.



What a week! Thank you to everyone who came and shared their ideas and stories at the first Arts, Health and Recovery networking event here at MMU on Thursday evening - what, you didn’t know this is a regular event? Well, following the passion and drive of those in this packed event, there’s clearly a space for it. So - lets do it, lets think of this as a space that we can get together - share ways forward and perhaps develop new projects that relate to recovery, wellbeing and the arts.

SO - a little about the event and the preceding days. Arts for Health is working with artists and people in recovery from substance misuse, in Pescara and Pistoia in Italy; Kütahya in Turkey and here in the UK in Manchester and Liverpool.



Partners from all the countries gathered here in Manchester to plan a series of events and the artists residences and exchanges. We’re recruiting a lead artist from the UK to oversee the project and the artists in Italy and Turkey who will develop work in substance recovery communities. Alongside the lead artist, all three will be involved in cultural exchange with recovery communities in each country, working with people affected by alcohol or drug addiction and around a theme of self-portraiture. Shortly we’ll have a dedicated blog page for this emerging work. 

So, the networking evening was a way of bringing people together from the recovery community alongside artists and health professionals and what a great event it was to be part of, with a high number of people in recovery in attendance and one or two very personal and inspiring stories shared. I was particularly thrilled to hear people saying that it was their first time in a university - and on my word - it won’t be the last. For the first time in my ‘professional’ career, I was inspired to share a little chaos from my own early family life.

We also shared the Finnish film that I posted on the blog last week, Fragile Childhood -Monsters. I was cautious showing it, but relieved I did, as it opened up some difficult, but cathartic and grounded conversations.

For those of us who compared notes on the night, the overriding feeling was that this work was about making substance addiction and recovery visible.

Thank you for all of you who came and shared your thoughts, stories and ideas.



With the annual pressure to send or receive commercial tokens of affection on Valentines day, its been with a wry smile that I notice many of the newspapers are citing the University of Oxford researchers, Savulescu & Sandberg and their Neuroenhancement of Love and Marriage: The Chemicals Between Us, which discusses the possibility of chemically enhancing flagging romance in long-term relationships! A pill not only to make you happy in your long years of monotony, but to synthesize that feeling of amor. Alongside our deluded belief in some over-the-counter prescribed answer to all of life's grief.

Leon Jakeman
Following on from last weeks fleeting comments on the 50th anniversary of Sylvia Plath and The Bell Jar, the writer Jeanette Winterson wrote a lovely succinct reflection of what Plath means to her. Here it is in full.

"The early 60s was a terrible time for women. Worse for clever ambitious women. Valium had been on the market for two years in 1963 and by this time was being advertised aggressively at healthy women who felt trapped and desperate and whose distress had to be medicated away. This is the world of The Bell Jar.

The Bell Jar was published at the same time as Henry Miller's Tropic of Cancer was reissued after its long ban in the USA. The misogynist masterpiss billets half the population to the whorehouse. All women are for sex. Rich women are for cash. Poor women are for housework. Why wouldn't a woman go mad in a world like this? Why wouldn't a woman as gifted as Plath become terminally depressed and end in suicide? Pills don't change the world. Feminism did.

The Bell Jar was a call to action because it is a diary of despair. Plath was gifted. She could have been great. Wrong generation. Wrong medication."



Arts and Health Research (part 1)
I want to give a very warm welcome to the newest member of the Arts for Health team, Rebecca Gordon-Nesbitt who will be joining us for 3 months to research arts and health archives both in the UK and internationally, making where possible strategic links and connections. This work is being undertaken with the generous support of the AHRC and in collaboration with LIME Arts. If you want to meet Rebecca and here more about her background, she’s giving one of the Tuesday Talks at The Whitworth Art Gallery this Tuesday. here are some details.



The Tuesday Talks series invites leading artists, thinkers and curators to explore the driving forces, influences and sources of inspiration within contemporary art. The series is programmed by Professor Pavel Büchler and is a collaboration with Manchester Metropolitan University.

12 February
11.00am – 12.30pm, free, no booking necessary 
Rebecca Gordon-Nesbitt 
Having worked as a curator of international contemporary art for more than a decade, Rebecca Gordon-Nesbitt receded from direct participation to embark upon an extensive interrogation of the European cultural field. Increasingly deploying an investigative methodology, she has exposed the endemic corruption in commercially derived approaches to culture, most recently as Researcher-in-Residence at the Centre for Contemporary Art, Derry, in relation to UK City of Culture 2013. Seeking alternatives to the prevailing model of cultural organisation, Rebecca spent five months in the libraries and archives of Havana, tracing the socially inflected approaches to culture that emerged in the wake of the 1959 Cuban Revolution. It is this research she will present at this talk, in the context of broader trends in cultural policy and their effect on the production of art.

Arts and Health Research (part 2)
Did you know that there is an emerging arts and health research network being developed? You can find details at http://artsandhealthresearch.ac.uk/artshealthandwellbeing/index.aspx


School Residencies: Call for Artists (Round 1), Blackburn and Darwen
10 x artist school residency fees worth up to £10,000 each
Blackburn and Darwen's Building Schools for the Future (BSF) continues with the latest phase of an extensive school building programme. Linked to this, Blackburn with Darwen Borough Council’s Arts Service are launching the first round of an ongoing Artist Call targeting artists from all creative disciplines with an interest in educational and community engagement, and further developing their collaborative practice.
At this initial stage, they are asking for artists to consider the brief on their website: www.artistcall.net and if interested to log your Expression of Interest by registering online and uploading some examples of your work to the private ‘intranet’ section. As well as your basic registration, they encourage you to also upload some practice information as well.
The deadline for your received registrations for this first round is 1st March 2013, but other Artist Calls will continue straight afterwards too.


Wellcome Trust Small Arts Awards (UK)
The Wellcome Trust has announced that the next application deadline under its Small Arts Awards is the 28th June 2013.  The Small Arts Awards provides grants of up to £30,000 to projects that engage the public with biomedical science through the arts. The aim of the awards is to support arts projects that reach new audiences which may not traditionally be interested in science. 


Funding for Creative Young People (UK)
IdeasTap, a non-for-profit initiative supports young creative people between 16 and 25 years of age, has announced that its Ideas Fund Innovators is open to applications. During this funding round the Ideas Fund Innovators aims to offer ten projects £1,000 each to help get them off the ground. In the past, Ideas Tap has funded everything from dance and film projects to music videos and photography collectives.  Applications from any creative field will be considered. Ideas Tap are looking for projects that are inspiring, original, innovative and that Ideas Tap think you can deliver. This brief closes on Thursday 4 April 2013 at 5pm and is open to IdeasTap members aged 16 to 25 on the closing date. Read more at: http://www.ideastap.com/Opportunities/Brief/b39a4a56-3379-4b89-9d0a-a13c0115ceac#Overview 

Nominet Trust: Digital Edge Programme (UK)
The Nominet Trust has announced that the 2nd call for applications under its £2 million Digital Edge Programme is now open for applications.  The programme aims to support projects that use new technology to engage young people in new, more meaningful and relevant ways and enable their participation in building a more resilient society. There is no upper or lower funding limit as the Trust like to encourage applicants to be realistic about what they need to achieve their project objectives.  The closing date for applications is the 1st May 2013. Read more at:



Europe for Citizens Programme: 
Citizens Projects (UK)
The European Commission has announced a new call for proposals under its Europe for Citizens Programme – Action 1 – Measure 2.1 Citizens' projects.  The measure “Citizen’s projects” aims at exploring innovative methodologies and approaches to encourage citizens’ active participation at European level and to stimulate the dialogue between European citizens and European institutions. Under this measure a variety of projects of a transnational and cross-sectoral dimension, directly involving citizens will be supported.  Priority is given to projects aimed at encouraging local level participation.  Eligible organisations that can apply include civil society organisations and local authorities.   A project must involve organisations/institutions from at least 5 participating countries of which at least one is an EU Member State.

The Grants available range from €100,000 - €250,000 and the closing date for applications is the 1st June 2013.Read more at:

Sunday, February 3, 2013

MENAS ŽMOGAUS GEROVEI, Reading, Monsters and so much more...

STORIES - Consume, Create and Retell
This week the Reading Agency have launched a ‘Well Book on Prescription' scheme at the British Library. There website says:

“The scheme aims to bring reading's healing benefits to the 6 million people with anxiety and depression. There is growing evidence showing that self help reading can help people with certain mental health conditions get better. Reading Well Books on Prescription will enable GPs and mental health professionals to prescribe patients cognitive behavioural therapy (CBT) through a visit to the library. Here they can get books to help them understand and manage conditions from depression to chronic pain. The scheme works within NICE guidelines, and uses 30 books endorsed by health partners as having evidenced CBT benefits.”

The idea of thinking through our life experiences through literature is nothing new, and certainly organisations like The Reader have been ploughing a furrow in this field. And, so long as this isn’t a convenient way of providing you with an alternative to a costly consultation with a counsellor or psychotherapist - just a pamphlet to have with your pills - it’s a promising development. It’s great that people are thinking about reading and exploring distress and ill health through literature, so long as we don’t just reduce our creativity to state-sanctioned prescriptions.


Of course, those of us with lower levels of literacy, perhaps through bad experiences of education, or English not being our first language, may benefit from something more akin to being read to...

I’m sure CBT in paperback form is just the trick for helping some people impose order back in their lives and god-knows, its great to think of any way we can get people involved in libraries and reading again, but if literature in relation to our mental wellbeing is reduced to step-by-step re-programming to passive citizenship - well, it makes me slightly shudder.

There are an infinite number of books that could be ‘used’ meaningfully in both recovery and by helping us just make sense of the world. Isn’t that what the arts do - help us escape, help us re-imagine, give us alternatives, enrich us, outrage us and elevate us to peaks of emotion? Yes, there are the giants of poetry and literature who have experienced extremes in their own mental health - you don’t need me to the list those luminaries - but if we have a diagnosis, does that mean we avoid reading work by those stellar individuals who may have even taken their own lives?


This week I see that Sylvia Plath’s, The Bell Jar has been reissued in a 50th anniversary edition by Faber and Faber, its cover rather bizarrely, depicting a woman putting on make-up! There’s a bit of an argument raging in the press about trivialisation of the work and reducing it to ‘chic-lit’. Well here’s the cover alongside the first edition using Plath’s real name and designed by Shirley Tucker. You decide which one fits the bill. Here’s what Tracie Egan Morissey commented on the blog Jezebel:

“For a book all about a woman's clinical depression that's exacerbated by the suffocating gender stereotypes of which she's expected to adhere and the limited life choices she has as a woman, it's pretty f*****g stupid to feature a low-rent retro wannabe pinup applying makeup.”


Could reading Plath be beneficial to someone experiencing mental distress as part of their recovery? Might Ken Kesey offer a variant? What about a poem by Anne Sexton or vivid portrayals of inequalities by Dickens or Victor Hugo? My education blocked me from ever thinking Shakespeare was for me, but blimey - there are one or two lyrical and pithy lines that sting my eyes and that I’ve only discovered much later in life.

Step forward with your fiction and non-fiction, with your poetry held high. Scream a line of Hamlet, tear out a page of Woolf, wave your graphic novel and remember stories are powerful things - consume them, create them, retell them.


The Role of Arts in the Delivery of Social Care 
The way in which people are supported in communities continues to change. With this in mind Skills for Care (SfC), in partnership with Skills for Care and Development (SfC&D) and Creative & Cultural Skills, are keen to develop their understanding of the role of arts in the delivery of social care with a particular emphasis on workforce development.

The study will inform the future direction of work in this area by highlighting learning from effective practice of using arts to deliver social care and providing recommendations for workforce development.

Delivered by a consortium led by Consilium Research and Consultancy Ltd, this survey aims to identify details of the activities of practitioners (i.e. artists or care staff) using arts to deliver social care. Specifically this survey is keen to obtain detail on the following: 

• The characteristics of arts led activities (i.e. duration, setting, art form)
• Factors that support or impact upon the effective use of arts to deliver social care outcomes
• The extent of training/workforce development for care staff and artists
• Outcomes achieved for organisations, artists, care staff and service users

Where appropriate a sample of projects or activities identified by this survey will be contacted by the study team to explore in order to prepare a more detailed case study of practice.The survey can be accessed by clicking on the diamond.


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A stunning and disturbing public health film about alcohol impact, from Finland. Find out more about this campaign at http://www.havasww.fi/en/case/fragile-childhood-monsters/

Now that the Olympic party is over...
As we brace ourselves for deepening austerity, you can see the ‘impressive results’, lots of graphs, numbers and stories about the investment in the cultural olympiad and its impact - now that the fireworks have finally fizzled out. Here’s what they say and details of how you can read up on their evaluation.

WE PLAY is the North West's celebration of the London 2012 Olympic Games and Paralympic Games, ensuring that they leave a lasting cultural legacy across the region. WE PLAY is led by new regional partnerships and managed by Arts Council England.

Since its launch in 2009, WE PLAY has delivered more than 1,200 public events and workshops across the North West region, reached more than 2 million people and attracted 875,000 people to public events. The programme has engaged people from all sections of the community with 30% of audiences from neighbourhoods of no or limited arts engagement and almost a quarter of all audiences from communities ranked within the 20% most deprived within England. The programme has delivered 170 entirely new commissions and presented the work of more than 2,650 artists, all of which has taken place through more than 400 new partnerships. You can see the impressive results achieved so far in the final WE PLAY evaluation. Please click on the Radium Dazzler to view a short film or download the full report.


ARTIST COMMISSIONS
Nelson is one of the first successful Portas Pilot towns and the Town Team is now 6 months into delivering their ideas to help regenerate our high street. Our Portas Pilot vision is to attract innovative and creative uses which garner energy, produce social, bustling places and compel people to visit Nelson. We have two key priorities; one is to generate younger footfall to secure the long term future for Nelson and the second is to reduce the number of empty shops and market stalls. Another major part of our Portas Pilot bid is to engage a number of artists who have the ability to create exciting ‘anchor projects’ which will generate higher footfall, particularly from young people. We are looking for creative, effective and perhaps unusual ‘happenings’ to get people talking and gain media attention and interest.

Commission One
Our brief is quite open but, bearing in mind our vision and priorities outlined above, we are looking for an artist/creative team who can help us to:
Capitalise on the availability of the amphitheatre in the town centre (this is the space in the centre of Nelson, where the Shuttle Sculpture stands) as a space to meet, to socialise, to play, to perform, etc. Develop a project which will actively engage and interact with local businesses in the town centre; making them feel involved in a way which is beneficial to them.

Commission Two
Again our brief is quite open, but bearing in mind our vision and priorities outlined above, we are looking for an artist/creative team who can help us to:
Develop a project/create a series of ‘happenings’ which will actively attract young people into the town centre. This includes college age students as well as younger children who would come into town with their family. 

We would like at least one of the successful artists/creative teams to set up residency in an empty shop in the town centre and use this as a base for the 3 month period of the commission. We hope that any project suggested will have a digital element of some nature, be that blog, social media, app or other.  


Your submission
Please submit up to 500 words detailing what you would do and why you would be the ideal artist for this commission, stating clearly which commission you are applying for (or whether your project addresses both aims, i.e. a project that uses the amphitheatre and involves local business’ but also attracts young people) and you can include up to 5 images. 

We would also like you to submit a short timeline detailing how your idea would work in a practical way. (For example, detail the number of days in residency, the number of studio days, planning time, length of events etc). 

Please provide a broad breakdown of the overall costs of your proposal. You must be able to demonstrate that your proposals can be delivered within the budget. Make sure your contact details are included and please don’t submit docx documents.

Artist Fee: £8000 per commission inclusive of all time, materials, etc. 
Submission Deadline: Friday 22nd February 2013, 5pm 
Timescale for commissions: Between April and September 2013 
(Depending on what submissions are received these two commissions may run either simultaneously or consecutively).

Contact details or further information:
Post: Judith Watmough, Economic & Housing Regeneration, Pendle Borough Council, Elliott House, 9 Market Square, Nelson, Lancashire, BB9 0LX



Clore Fellowships are now OPEN
The Clore Leadership Programme was set up to develop outstanding cultural leaders, mainly, but not exclusively, in the UK and has awarded over 230 Fellowships to outstanding individuals from across the creative and cultural sector.  Fellows come from diverse backgrounds.  They may be working freelance or within organisations, of all types and sizes,  in areas ranging from archives to theatre production, and including visual and performing arts, film and digital media, heritage, creative industries, museums, libraries and cultural policy. Applications for 2013/14 Fellowships are now open. The deadline for applications is 5.30pm, Friday 22 February 2013. Details HERE 



IdeasTap university fee fund
Deadline: 29 March 2013
Whether you’re a first-year student or a graduate, if you embarked on a BA or BMus in 2006 or later, you could benefit from having £9,000 wiped off your Student Loans Company balance by arts charity IdeasTap. For a chance to win, simply tell IdeasTap in 100 words or less what you could offer to its network in exchange for the money. It could be an idea or a service, for example “This is how you could improve your site…” and the more imaginative, original and feasible the idea, the better! Find out more by clicking on the logo above.


MENAS ŽMOGAUS GEROVEI
...and finally, but not least, I am thrilled to be able to share the unfolding work delivered by friends and colleagues in Lithuania, who this week publish a report of their pilot project, Menas žmogaus gerovei (Art for well-being) which was implemented over 2012 by the Artists Association Gallery and financed by the Ministry of Culture of Lithuania. The goal of the project was to promote access to culture and well-being through the creative partnership of professionals within culture, education, health care and social services - presenting new approaches towards arts and health.

Activities were delivered in four health-care and social-care organisations in Vilnius and Panevėžys. The target groups of these activities were seniors, mental health service users, clinicians and children.

The project evaluation employed quantitative and qualitative methods which illustrated the positive impact of the artistic activities on the well-being of participants. By creating access to culture, the project taught the participants new skills and capacities, encouraged aspiration to improve skills and create new knowledge. The evaluation revealed positive impacts on emotion and mood, self-esteem, social vitality, communication and relationships, encouraging openness and strengthening a sense of community.

So here is a rich and full report that I recommend to you. Of course, it’s written in Lithuanian - so remember, google translator (with all its quirks), is a wonderful tool. Click on the image below to download the report.

Aciu to Roma Survilienė, Ieva Petkutė 
and Simona Karpavičiūtė


Thank you as ever for visiting this blog...C.P.